TOO MANY PEOPLE: With 8 billion, anything that reduces the population is wonderful! War, genocide, plague, earthquakes, fentanyl... It's all good.

Of course, We also need to make birth control and abortion free and legal worldwide... 

The Role of Doctors in Society has become QUESTIONABLE... are they a Positive force or just making our problems Worse?

Ever hear that Paul McCartney song: Too Many People? https://www.youtube.com/watch?v=rFddsWq2pDw

One lyric says:"Too many hungry people losing weight" I find it funny that my AI Picture Maker misses the point... No mention of FAMINE! To Microsoft, "Hungry People Losing Weight" means they eat more fruits and vegetables!

Many people are upset about the war in Gaza because it's genocide but... I guess they just don't realize what a blessing it is to have all those people just get the f*** off the planet!

When was the last time you said: "I sure wish there were more Palestinians around here. You can never find a Palestinian when you really need one."

HEADLINE: Eight Billion People in the World Is a Crisis, Not an Achievement.

More people will not solve the problem of too many people... https://www.scientificamerican.com/article/eight-billion-people-in-the-world-is-a-crisis-not-an-achievement/

Speaking of Abortion...

If it was about babies, we'd have excellent and free universal maternal care. You wouldn't be charged a cent to give birth, no matter how complicated your delivery was. If it was about babies, we'd have months and months of parental leave, for everyone.
If it was about babies, we'd have free lactation consultants, free diapers, free formula. If it was about babies, we'd have free and excellent childcare from newborns on. If it was about babies, we'd have universal preschool and pre-k and guaranteed after school placements.

Inside The World Of Rock 

5 BANDS FROM THE 60s THAT SURPASSED THE BEATLES IN TALENT BUT NOT IN POPULARITY
The Beatles, with their memorable tunes and harmonized vocals, captured the hearts of millions of people and are considered the brightest wave of the musical revolution inside the dynamic fabric of 1960s rock. The Fab Four may have been surpassed in terms of musical brilliance by a few bands of the time, but they were overshadowed by this enormous recognition despite their remarkable depth of talent and inventiveness. These bands delved into previously unexplored auditory realms, crafting intricate arrangements and introducing novel tones that profoundly impacted the music industry.
Buffalo Springfield
The ensemble of Buffalo Springfield was a melting pot of musical expertise, often underappreciated in the wider sphere. Their sound wove folk and country elements with rock in ways that seemed ahead of their time. The band boasted a lineup including Stephen Stills and Neil Young, both of whom would later achieve significant success individually. While on stage, the group’s chemistry was palpable; each performance was a layered tapestry of poignant lyrics and intricate harmonies. They managed to create music that resonated with the counterculture movement, touching on themes with depth and tact, which is why their work still echoes today. These rock innovators had a knack for the kind of songwriting that could stop you in your tracks, yet they never quite ascended to the stratospheric levels of fame enjoyed by some of their contemporaries. Despite their skillful storytelling and the unmistakable individual talent within the band, Buffalo Springfield remained somewhat of a hidden gem, sparkling in the vast mines of rock history.
The Mothers of Invention
Helmed by the incomparable Frank Zappa, The Mothers of Invention were sonic renegades who deconstructed the norms of music during their era. Their work was a vibrant collage of satire, political commentary, and unorthodox rhythms that challenged the status quo. Zappa’s sharp wit infused the band’s output with an intellectual rigor rarely matched by others. Their live shows were more than just concerts; they were full-fledged theatrical experiences, complete with improvisation and a daring defiance of musical boundaries that left audiences in awe. The group’s innovation placed them in a league of their own, cultivating a dedicated following that recognized the brilliance in their complexity. While they did not eclipse the widespread commercial success of bands like The Beatles, The Mothers of Invention solidified their place in history as avant-garde pioneers who dared to think differently and pushed the envelope of what music could be.
Jethro Tull
Jethro Tull, with their flute-fronted rock, crafted a niche of progressive and folk influences that stirred the souls of those who listened. The flute, an unconventional lead instrument for a rock band, was wielded by frontman Ian Anderson with such mastery it became synonymous with their identity. Their performances were magnetic, characterized by Anderson’s theatrical stage presence and a musical prowess that explored themes from the fantastical to the bucolic. The group’s agility to blend the acoustic with the electric, showcasing narrative-driven epics and complex musical arrangements, carved out their enduring influence on the rock genre. They may not have outshone The Beatles in the fame department, but the band’s skill in painting vivid auditory landscapes ensured their artistic talent stood out as eternally significant.
Free
Free brought to the world a gritty, bare-bones rock sound that cut through the airs and graces of other bands with sheer power and soul. Their smash hit “All Right Now” remains one of the defining tracks of the era, yet beyond this anthem, the band’s musical capabilities stretched deep and wide. With Paul Rodgers’ raw vocal might and Paul Kossoff’s emotive guitar play, Free had a grasp on rock ‘n’ roll’s core essence. This British band had all the makings of rock legends, turning straightforward compositions into electrifying aural experiences. Despite their formidable talent and influence on the rock genre, they didn’t garner the same level of global adoration as The Beatles. Nevertheless, their imprint on the music landscape is undeniable, leaving behind a legacy cherished by those who can appreciate the blues-infused grit of their sound.
Traffic
Traffic was a group that spun together psychedelia, jazz, and rock into a fabric all its own. Steve Winwood’s keyboard and vocal talents, paired with Jim Capaldi, Chris Wood, and Dave Mason’s musical contributions, created a sound that was at once familiar and exotic. Their self-titled second album is a masterpiece of varied soundscapes that showed just how versatile the band was. Whether through mellow, soulful tunes or elaborate instrumentals, Traffic consistently delivered something fresh and invigorating. The band’s dexterity in blending various styles allowed them to craft a catalogue of music that was as diverse as it was deep. While they did not reach the dizzying heights of mass popularity like The Beatles, their impact on the progression of rock cannot be overstated. Across the globe, connoisseurs of layered, sophisticated rock treasure their songs, timeless in their appeal and sophisticated in their execution.

AI BABBLE ON GOOGLE:
The number 2 pencil has a long history that began in the 16th century when graphite was discovered in England and placed in wooden holders for protection. The pencil's number refers to the hardness of its graphite core, with higher numbers indicating harder pencils. American poet and philosopher Henry David Thoreau's father, John Thoreau, who owned a pencil factory, is credited with creating the first pencil hardness scale while working there. On the scale, 1 was the softest and darkest pencil, and 2 was the second darkest.

The No. 2 pencil became the standard school pencil because it's a good balance between hard and soft, making it ideal for general writing and standardized tests. Early machines used to scan and record test scores had trouble reading marks made by harder pencils, and softer pencils would smudge. The No. 2 pencil also has a hexagonal shape and iconic yellow color, making it a popular and reliable tool for both professionals and amateurs.